May 29th, 2009

So I’ve definitely never been what I’d consider a ‘fan’ of vampire films, in fact I can’t say I’ve really even enjoyed them. Typically they are covered in soft-focus and romanticize the idea of being a vampire or completely ostracize them from society, yet never giving an audience a very detailed understanding of what a vampire is. Insert HBO’s newest release on DVD, True Blood. A show about vampires for people who don’t really even like vampires shows. This isn’t Buffy and this isn’t Blade, or whatever god awful version of vampire show/movie has been around for quite some time. What is amazing about this show is the shear fact that it breaks most all conventions of ‘vampire’ shows, from disproving vampire myths or at least explaining them, the show adds a lot of depth to a genre most of us either don’t like or aren’t informed about.
Alan Ball the creator of my favorite HBO show Six Feet Under is back to tell the tale of Sookie Stackhouse, a 25-year-old waitress living in small-town Louisiana where a year or two after the government has began to offer equal rights to vampires (what the show called ‘coming out of the coffin’). One day the new vampire in town strolls into Sookie’s bar they become friends. I won’t go into too much detail on the premise of the show considering there are lots of other reviews and/or descriptions out there. Ball provides a similar style of exposition as he does in Six Feet Under where the show is essentially an ensemble cast but quickly breaks into the private lives of all the key players and relates them back to the group. Each of the characters is so intriguing, from the main characters to the less important ones, I could really watch a show with any of them as the key actors because they are all very interesting in their own way.
If you’d like to see a wonderful show full of all that HBO goodness (the sex, violence, language, and grit) with a fantastic cast which I can’t get enough of, watch True Blood, out now on DVD with Season 2 starting on June 15th, I’m really wanting HBO now.

On a equally important side note, another genre-breaking piece of vampire ephemera I recently saw was the amazing Swedish vampire film Let the Right One In. This film is wonderful in so many ways, from the subtle use of color to the austere Swedish landscapes, the film captures a place in time that feels both old and new while telling a story that feels timeless as well. I won’t bother talking about the details of the film, but highly suggest a viewing.
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